Archive for the ‘Entertainment’ Category

Review: 'Kopy Katz' salutes yesteryear's musical legends

March 9th, 2016
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“Waikiki Kopy Katz,” a sweet valentine to the Waikiki of yesteryear, reimagines musical personalities from the past in a concise and nostalgic time-travel adventure bursting with charm.

Presented Wednesdays at the Warrior Lounge of the Hale Koa Hotel, the show has been a solid sell-out for the past month and has been extended for eight more weeks. Co-produced by veteran Waikiki showman Jack Cione (who wrote and directed) and stand-up comic Bo Irvine (who serves as host), “Waikiki Kopy Katz” owes its success to four contemporary troupers from Honolulu’s nightclub and theatrical stages, who deliver charming tributes — not impersonations — of Don Ho, Hilo Hattie, Alfred Apaka with an unexpected visit by Frank Sinatra.

The brainchild of veteran showman Cione, these encounters are enacted in joyous salutes by Kimo Kahoano (Ho), Cathy Foy (Hattie) and Charles Degala (Apaka); they revive trademark tunes in incidental liaisons that likely never happened in their lifetime but logical in this flashback.

Further, as a set-up in a bar of club of the past, Randy Smith appears as Ol’ Blue Eyes with generous musical tidings — even though Frank Sinatra never performed in Waikiki.

No matter.

This is a new gem in Waikiki’s nightlife. It’s cute, contagious and charismatic — like revered puka shells strewn together with adoration — reflecting laid-back, gentler times in Waikiki. In short: this is a sentimental journey, a treasure to embrace and take home.

Kahoano, a veteran radio personality, TV host and sometimes actor and singer, does sound like Mr. Waikiki with “Ain’t No Big Thing,” “Tiny Bubbles” and “Pearly Shells.” The drawl’s perfect, the Ho-style banter echoing the original, as Kahoano treks from the bar to the stage in the tone and manner of Ho.

Foy, on the other hand, doesn’t sound or resemble the iconic comedienne, Hilo Hattie, but when she puts her own imprint on the signature tunes. Combined with Hattie’s trademark hip and hop, Foy reestablishes the legendary comedienne with adoration and grace. The recollection taps “When Hilo Hattie Does the Hilo Hop” and “The Cockeyed Mayor of Kaunakakai;” the papale may not be lauhala but the kerchief around the butt is certainly Hattie-precise. In short: Foy lovingly elevates her interpretation to musical theater.

Degala, also a onetime staple of local stage, brings a soaring vocal presence and genuine aloha to Alfred Apaka; a signature medley of “Beyond the Reef,” “Tonight Mapuana,” “Lovely Hula Hands” and “Sweet Leilani” is heaven-sent.

Smith’s stroll-on as Sinatra is based on the premise that he’s vacationing in the islands with his then-wife Ava Gardner, who is in their hotel room as he visits the watering hole. This enables Smith to offer “Where or When,” “Fly Me to the Moon,” “You Make Me Feel So Young” and — start spreading the news — “New York, New York.”

Round two in the nostalgia stroll finds Foy upholding the joys of “Waikiki,” joined by Kahoano and Degala on a collaborative “I’ll Remember You” and “I Am Hawaii,” and Foy and Degala saluting wedding celebrants and anniversary couples with “The Hawaiian Wedding Song.” Yes, the celebrants dance cheek-to-cheek, to make the Waikiki memory real.

The 80-minute show converts the lounge into an informal showroom, with Hawaii projects behind a minimalist stage. And P.J. Galarneau is “the orchestra” and he pays homage to the exotic franchise of Martin Denny and Arthur Lyman including the hypnotic “Quiet Village.”

With its anchor at the Hale Koa, the show targets an appreciative military audience, which rises for a standing ovation, raising commotion and emotion aplenty. Locals may gain entrée as guests of military personnel, so if know or have a GI in the family, grab him (or her) and plan a trek to the Hale Koa. This could be a start of a new generation of show traditions in Waikiki.

 

WAIKIKI KOPY KATZ’

When: 8 p.m. Wednesdays

Where: Warrior Lounge, Hale Koa Hotel

Cover charge: $25

Reservations: 531-4242,

 

 

 

 

Bo Irvine is host of "Kopy Katz"

Kimo Kahoano is Don Ho

Charles Degala is Alfred Apaka

Cathy Foy is Hilo Hattie

 

Photos by Wayne Harada

Bo Irvine is host of "Kopy Katz"

Bo Irvine is host of "Kopy Katz"

FullSizeRender (16)

 

Charles Degala as Alfred Ap;aka.

Charles Degala as Alfred Ap;aka.

Cathy Foy as Hilo Hattie.

Cathy Foy as Hilo Hattie.

Cathy Foy is Hilo Hattie

'For the Love of Jimmy' event raises more than $70,000

February 1st, 2016
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Performers at "For the Love of Jimmy" included Lucie Arnaz, Melveen Leed and Jimmy Borges himself.

 

 

“For the Love of Jimmy,” that fundraiser for entertainer Jimmy Borges, raised  more than $70,000 — surpassing its $50,000 goal  — at the gala last Saturday (Jan. 30) at the Westin Moana Surfrider  hotel.

And monies are still being tallied.

The evening was an outpouring of love and aloha for Borges, who has stage four terminal  lung cancer. He decided live out his life his way — without customary chemotherapy — and the journey has been a mix of good and bad days.

Happily, Borges was in high spirits Saturday, meeting and greeting and being photographed with an array of genuine fans, friends, family and notables, all sharing a common mission: to salute the master of his craft.

The show  — in the Banyan Court of the Moana Surfrider,  under a sprawling banyan tree and clear skies  — was a mixed bag of local performers capped by a Borges fan and friend from way back, Lucie Arnaz, the daughter of one of show biz’s iconic couples, Lucille Ball and Desi Arnaz.

The space, not commonly utilized for shows these days (‘twas the previous home of radio’s “Hawaii Calls,” the Tavana revue, then Tihati Productions’ Polynesian spectacle during Waikiki’s glorious show biz  era of the ‘60s to the ‘80s), made celebrants wonder why there haven’t been more events in recent times.

It was a fitting and cordial spot to show Borges how well he is adored and worshipped, and a salute intending to pump up monies to fulfill his last wish: to launch a University of Hawaii scholarship bearing his name, for future vocalists.

So it was a hearty party, a rainbow of aloha and styles to demonstrate how much Borges is adored.

The  take-away moment came early on, without warning.

Melveen Leed, who shelved her comedic antics and Hawaiian repertoire this night, opened the evening on a pop-jazz note, beginning with “Poor Butterfly.” She innocently sashayed into a bossa nova mood with “The More I See You,” segueing into “I Left My Heart in San Francisco,” which prompted Borges — seated at a front table surrounded by family and supporters — to unexpectedly rise from his seat, head for the corner stage on the veranda of the restaurant area, to chime in with Leed.

Appropriately, “I Wish You Love” was the anthem of this rousing moment.  Weak on his feet but his heart filled with celebratory joy, Borges hung onto the veranda rail to share a see-sawing duet with Leed, who played along like a pro, sharing her segment with the honoree. With equal parts glee and concern, Borges had the savvy and the energy to deliver what surely might have been his final performance in a colorful and triumphant 60-year career.

He is 80, but the cancer — affecting his ability to breathe — means he has lost some of the steam steam as a belter.

But with this instance of genuine but unplanned honesty, he and Leed earned cheers and ovations, nullifying a late-in-the-show song Borges was to do. This was the right moment at the right time with the right emotions, and it was thoroughly impromptu, it was totally electrifying. It couldn’t have been scripted any better. For Leed, it was a triumph, too; so many admired her vocal prowess and discipline and charity, sharing her mike time and co-starring in this iconic highlight.

Willie K also adjusted his songlist to pay tribute to jazz and Borges, with a super duper performance emoting Ella Fitzgerald-like scat singing which brought down the house, too. When he indulged in “If I Didn’t Care,” the old Ink Spots classic, he validated  his fondness of blues and jazz, mimicking and saluting Nina Simone.

Oh yeah, Willie also was wildly operatic with a powerful “Nessun Dorma.”

Yvonne Elliman, widely associated with her Mary Magdalene connection with the concept album, Broadway musical and film version of  “Jesus Christ Superstar,” focused instead on her ‘70s repertoire, sharing sure bets like “If I Can’t Have You” from “Saturday Night Fever” and her Barbara Lewis cover-turned-hit “Hello, Stranger.”  For her, nostalgia ruled.

Taimane Gardner, a skilled and animated ukulele whiz, demonstrated her expressive and explosive strumming, a good spot for familiarizing her evolving brand with a local crowd. A former Don Ho “discovery,” she traditionally plays for visitor audiences so this was a nifty notch for her local creds.

Finally, Lucie Arnaz, a songstress of admirable eloquence and charm, capped the evening with a solid roster of American song standards, showing a parallel philosophy of Borges: utilizing songs to tell stories. From “Lulu’s Back in Town” to “The Tender Trap”  to “Until Now,” she breezed through a gamut of romantic paths: lasting connections, failures, eternal searches. Not jazzy, but grand and graceful.

And then to punctuate her adoration of the islands — she has been here a number of times over the decades — she dusted off the classic Hawaiian “Na Alii,” revealing she  researched its lyrics involving history and propriety, surprising the audience that she knew the Hawaiian lyrics which she delivered in contrasting pace and tempo, first with a the slow version and the show-stopping rapid-fire upbeat version.

The crowd howled delight.

As for the Borges scholarship donations, the funds will fuel the initial $300,000 committed to the Jimmy Borges Endowment Fun, to bolster and solidify a legacy for the ailing jazz singer. He simply wanted to leave something significant for a future generation of needy vocalists, so the plan is to award University of Hawaii scholarships to prospective singers, hopefully for a lifetime.

All “For the Love of Jimmy.”

 

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A jolly holiday fullhouse concert by the Royal Hawaiian Band

December 11th, 2015
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Nearly two hours before the 7 p.m. curtain, local folks lined up for the Royal Hawaiian Band’s first holiday concert Thursday (Dec. 10) at Hawaii Theatre.

The queue snaked around the theater, from the box office on Bethel Street, along Hotel Street, up Nuuanu Avenue, and snuggling Pauahi Street nearly back to the front entrance.

So naturally, the house was jammed — the show was free, no tickets required, and between 1,200 to 1,300 fans of the band assembled, certainly including first-timers to the theater and newbies to the RHB. Which thrilled maestro Clarke Bright, of course,  as well as Hawaii Theatre president Ruth Bolan, who was all smiles with the sense of community within the historical theater.

The hometowners applauding the homegrown band with roots linked to King Kamehameha III and Hawaiian royalty…that’s magical.

The takeaway:

  • The Royal Hawaiian Band is hugely underrated. Known primarily for its marching parades and informal concerts, it’s merrily festive and supreme as a Christmastime attraction.
  • Corral  a few island troupers with their own following — comedian Frank DeLima, songstress Karen Keawehawaii, and Jerry Santos of the incomparable Olomana group — and you have a socko cast. Throw in keiki — Kamehameha Schools Children’s Chorus and a hula halau, Ka La ‘Onohi Mai o Ha’ehae’e — and there’s vast interest and variety, the  chorus kids charming not only in voices but in faces, a hearty brew of next-generation performers and  the halau demonstrating that culture is worth performing and perpetuating. And tap RHB regulars Malia Ka’ai, she of the operatic voice; Gary Keawe Aiko, the son of Genoa Keawe, thus rooted in credible Hawaii tradition; and Pi’ilaniwahine Smith, the hula soloist who is the daughter of kumu hula Alicia Smith; and you’re talking lifelong stewards of cultural preservation.
  • The partnership of the City and County of Honolulu, the Royal Hawaiian Band Music Society, and the Hawaii Theatre Center enabled the performance to be free, a splendid Christmas present to the community. The fact that the place was packed to the hilt indicates the grand gesture was a hit, and the attendance was validation for the presenters. A win-win for all.
  • For the bandmaster and the band members alike, a holiday gig like this meant the musical menu would be a mixed bag, to suit palettes of all kinds.  And yep, the gang succeeded — holiday orchestral favorites tempered with classical strains; cultural expansion including  something Russian, something cinematic (a “Star Wars” medley, complete with Storm Troopers and more, in anticipation of this winter’s film biggie, “Star Wars: The Force Awakens.”)  Indeed, the force is with the band.

The band utilized all the elements the Hawaii Theatre provides: entrances and exits via the stage pit, prances and dances in the aisles, and the cherry on the cake: a house sound system geared for concerts, compared to the open-air dynamics of a park show or a parade. On this note, the band was at its best, with swirls of the subtle as well as blasts of the robust — every trick possible. Loved the chimes, loved the jingling bells, loved the rich, full sounds.

The acts benefitted, too; when was the last time you heard a keiki chorus accompanied by a 40-plus unit with all the frills of flutes, the toots of trumpets, French horns and trombones, the gentle riffs of clarinets and the syncopation of percussions. And more. Made “Hallelujah Chorus” a rouser, resulting in a spontaneous standing ovation! (It helped that Lynnel Bright, conductor of the Kamehameha kids, is the spouse of bandmaster Clarke — nothing like partnerships in the ‘ohana).  And even Jerry Santos opined that it was pleasure and a treasure to have the accompaniment of the musicians on two of his classics, “Seabird” and “Ku’u Home O Kahalu’u,” yielding a panorama of support and waves of nostalgic emotions. Further, Santos’ senior viewpoint was a natural fit for his protégé-partner Kamuela Kimokeo, a singer-guitarist and for all practical purposes, the young mate in the age-diverse Olomana of the present. And yes, it was savvy for Santos to include his hula soloist Nalani Badua-Fernandes in his trio of island tunes.

DeLima provided funny fodder, like his inimitable “Filipino Christmas,” complete with a tree costume glistening with lights, and parodies of and salutes to Marcus Mariota and Bruno Mars; he’s mastered the manner of taking popular tunes and making ‘em his own with a new posture and lyrics, and his Portuguese jokes never fail him.

Keawehawai’i perhaps had the evening’s most difficult task, likely assigned to deliver tunes that were not her signature like her peers in the cast. Still, the pro that she is, Keawehawai’i updated  “Rudolph the Red-Nosed Reindeer” and “Hawaiian Fa-La-La!” with her own imprint, with a rollicking posture and a vocal force that sounded like it was fresh from the North Pole. At least her daughter’s (Tracie Lopes) halau made it a family affair with hula on “Fa-La-La!”

Denby Dung vacated her clarinet chair in the band to emcee the show, delivering cheerful intros to the acts and enabled her to do some comedy in the “Star Wars” segment, complete with Princess Leia-like doughnut rolls on both sides of her hair.

It was nice to see both Mayor Kirk Caldwell and Gov. David Ige and their spouses on opposite ends of a sector loaded with city council members and administrators. And the Ron Bright ‘ohana, now led by widow Mo Bright, numbered 18 and were generous in applause and goodwill for No. 1 son Clarke’s role in the evening of holiday enchantment.

So, the Royal Hawaiian Band legacy continues. And sounds like Hawaii Theatre’s honcho Bolan wants to make this gift an annual treat. As one of the ushers said, “This is the first time since Jim Nabors’ Christmas concerts that the house is packed.” Hallelujah!

 

 

Royal

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'Five-0' on a roll — with role-playing — but ratings static

November 21st, 2015
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danno

Danno (Scott Caan) goes to school, under cover as an economics professor, in this week’s “Hawaii Five-0.” In the episode entitled “Hana Kuaka (Charades),” which aired Friday (Nov. 20), he portrays a college professor subbing for the one murdered and tossed in a pig pen with the pigs making dinner out of the prof's carcass. The oinkers weren’t making believe; the “body” must have had some flavors the big piggies loved.

First, a word about the overnight Nielsen ratings: ABC’s “Shark Tank” was No. 1 in the key 18 to 49 adults demographic, with a 1.7 rating — best of the night. And it’s a role the show has maintained for weeks, no charade invovled.

CBS’ “Five-0” had more viewers in the same hour — 9.06 million, better than last week — but with a static 1.1 18 to 49 demo rating.  The evening’s most-watched program was CBS’ “Blue Bloods,” which logged 11 million viewers and a 1.1  18 to 49 demo rating, in the hour following “Five-0.”

 

Danno wasn’t the only one playing something or someone he wasn’t.

Eric (Andrew), Danno’s nephew now recurring as a lab assistant, also goes under cover as a college student, to seek out evidence or chatter about why or how the prof landed in the pig pen. Good to admit he didn’t “cry uncle,” and his playful banter and young looks made him a natural to think he’d fit in on boozing and dancing with the collegians.

Even McGarrett (Alex O’Loughlin) took on the supportive fatherly stance, in a subplot involving a troubled son and his suspicious dad — with McG trying to sort out dad’s motives and son’s distancing stance while keeping everyone happy.

Jerry (Jorge Garcia), still eager to find his niche in the “Five-0” hierarchy, pulls what literally is a crappy duty — an evidence collector who has to watch for a missing bullet in the murder victim’s carcass to “pass” through the pig. While reading “Charlotte’s Web,” no less. Can you imagine the environment and odor during the filming? Garcia had to play the role of someone who couldn’t tell hell from smell.

Max (Maxi Oka), the ME who finds the thumb of the victim in the goop and, well, you know, the mess in the pig pen, might have been role-playing, too— thinking of his other primetime duties on NBC’s “Heroes Reborn,” which smells like gravy compared to this episode.

Chin (Daniel Dae Kim) still is masquerading with a smitten, gentlemanly veneer in his ongoing work-duty alongside Abby (Julie Benz), even opening the car door in their mutual cop-work doldrums.

With so many involved in the charade parade, who’s holding down the fort?

Lou (Chi McBride) was pretty stable this week, carrying the investigative banner. And Kono (Grace Park) put on a pretty face, despite the lack of good news regarding her problemed husband Adam (Ian Anthony Dale, not seen this week, but mentioned), with his Yakuza-ties past.

 

 

 

 

'Five-0' ratings remain flat, but so are its storylines

November 9th, 2015
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So far this season, “Hawaii Five-0” has been “flat” — industry jargon for neither upward nor downward movement — in its Friday time slot. It pulled a 1.1 rating in the preferred 18 to 49 age demographic, and 8.75 million viewers.

The CBS procedural  has the most viewers in its 8 p.m. frame (9 p.m. Mainland), but trails ABC’s “Shark Tank” in the same hour, with its 1.6 demo rating; this key demo dictates advertising dollars, so the topper here for Friday Nov. 6, was “Shark,”  despite fewer viewers at 6.69 million.

“Bluebloods,” in the hour following “Five-0,” is most-watched with 10.75 million viewers and a 1.2 rating in the 18 to 49 demos. This has been the general  Friday pattern, week after week, according to overnight Nielsen TV ratings.

For its part, the Hawaii-filmed “Five-0” survives on a night that gets little respect from the industry; Friday is the go-to place before cancellation.

Not saying the “Five-0” is imminently bound there; but because of a financial arrangement  with cabler TNT, “Five-0” is making money for CBS, in spite of the so-so performance. With TNT paying dearly  for syndication rights, the network is content to keep the show in production. As long as it can, before the steam runs out.

The plots are more often superfluous than not. Take Friday’s “Na Kama Hele (Day Trippers)” episode – No. 7 of Season 6. Its dual stories put Steve McGarrett (Alex O’Loughlln) in romantic mode, on an incredulous first-date with Lynn Downey (Sarah Downey), involving scuba diving, dodging bullets from a gunman on an isolated island, in clearly was a misadventure-in-paradise outing. Oh, but they had time for a selfie.

Meanwhile, the “Five-0” team — with Danno Williams (Scott Caan) AWOL again — juggles assignments involving a silly incident about throwing a high school football game, which is never been an issue here.

So Chin Ho Kelly (Daniel Dae Kim) and Kono Kalakaua (Grace Park), with kokua from Lou Grover (Chi McBride), try to make sense of  high school football QB named Jesse Frontera (Jake Nutty) attempting to throw a game (being watched by football scouts) so the kid’s kidnapped father Kai Frontera (Gibi Del Barrio) would not be killed by hoods. The premise was flat and predictable — like, you knew the troubled kid would score a TD in the name of morality, despite the familial threat — and that his dad wasn’t going to be murdered for a super-happy ending. In reality, when was the last time you heard of  high school game being fixed with a gangsta team lording over the innocents? Pro ball, maybe, but  almost never with high school gridiron.

The episode had more, um, incredible moments, involving the two romantics:

  • McG and his sweetie, climbing up a waterfall; a slip down the craggy terrain would have given the attempt some credibility, but nope, they not only traipsed up the falls, they crossed the rippling waters to the other side. Who said mossy rocks are slippery?
  • McG and date, tooling over to an isolated island, on a skimpy rubber craft across pretty vast ocean — not so savvy, even for an ex-SEAL.
  • The couple discover a lost and unreported small plane in the wilds, and are discovered by a Boston mobster, Dennis Logan (James C. Burns), whose prison transport plane this was. Wouldn't  the Feds have searched for this errant plane?
  •  Fact or fiction, cannot tell you — but when his date receives a head injury, McG's RX is coconut water, supposedly serving as a cleanser and perhaps an antibiotic.
  • And they had time for a selfie?!

Oh, and one no-no; Chin apparently never got the memo or read the handbook about cop brutality in questioning a suspect; his behavior and action in trying to get a hood to spill the beans drew blood, enough for some disciplinary or legal action. Come to think of it, the "Five-0" inquiry room, with its institutional-green-painted hollow tile walls, does not have the customary peer-through-glass window for investigator honchos to see and hear the questioning. Howcum?

In the football game moments, Kukui High made a homecoming, complete with red T-shirts and pep squad and filmed at Kaiser High, with deliberate camera angles to prevent showing a not-so-crowded stadium audience.

And if you yearned for bromance banter, there was none. There's always next week.